Marmalade Lit
abecedarian for portrait of a 16-year-old chinese girl
Cara Wang — California, United States
auspicious suantou/蒜头 nose, pressed wide-flat by a god’s thumbs and then pinched
tall-together by fifth-grade me. (her nose only pinkens from the pressure.)
brows shaved by my mama/妈妈: she tilts my chin upwards with one hand,
the other tracing reminders into stretched-taut skin: you must be
contained and classy, so clip your strays until abnormalities wash away like these
shaved hairs. see how beautiful you are? go clean your face. so i scrubbed, tried to
sand away the sun’s kisses until i was
daikon-white (eat for good skin). my face, bleeding as i weeded out raised pimples
with fingernail rakes.
even if a surgeon’s knife carved epicanthal folds into my upper eyelids, i thought i
would still be ugly: just a
fraudulent doll stumbling toward the traits another girl never had to pay for: she,
not me, never needed to chase beauty like river
goldfish flopping towards fisherman’s hooks. i wished i were her, easier on the
contact lens-compressed eyes (but i wear glasses), free from
hyperpigmented blemishes — like sprinkled grime over lychee flesh.
i wanted to thread needles through my pores until i could side-stitch xuebai/雪白
beauty over my own face. was that possible?
juvenile me’s decree was that all your friends are prettier. so smother Shiseido foundation
180 over your choked skin to hide the red. but wasn’t red your favorite color?
juvenile me was seriously thinking of using
knives to saw out a version of herself that a boy (unnamed) might call pretty. but
today, i protest against this girl, for why should i live in a
loveless relationship with my face — the hallmark of a body sculpted for nine,
sleepless months by her
mama/妈妈? and when this mama tilts my chin back to gaze straight into my soul,
she softens, for this body belongs to a girl she loves unconditionally, and her
gaze never questions: double eyelids? yes or
no, or tall, perfect nose? (the one you can’t even mold despite hours of nose-slimming
exercises.) yes or no? i mourn for myself, for the ten-year-old girl who
opted for glasses instead of contact lenses because she thought they’d compress her
puffy cheeks, the girl who
pressed her foundation-lathered palms together and prayed for a face she could
live with and love, the girl who
questioned God, day after day, searching for beauty with a too-clear camera (its
lens was clouded so she snapshotted
reasons to hate herself instead). from her i learned that
serendipity is when i stop
taking my selfies and measuring them against the silver-screen celebrities’
portraits, is when i learn that
until i can vow i love you to every
version of myself, i’ll suffer the pain of deeming myself never
white enough, never slim enough, and most importantly, never satisfied enough to face
my parents and their own suantou/蒜头 noses, single-folded eyelids, and
tanned skin with a genuine
xiexie/谢谢, thank you for this holy vessel — for this mind that floats down yonder by
the
Yellow River; for this heart that births abecedarians; and for this soul that belts
C-pop ballads until the karaoke machine fades to sound level
zero.
About
Cara Wang (she/her) is a writer from California. Her work has been recognized by the Eunoia Review, Discretionary Love, and TaiwaneseAmerican.org. In addition to writing, Cara is an avid cellist.