Marmalade Lit
Mangoes
Yuhan Wu — New York, United States
High above the tourist racket of Panglao and the neon tide of beach bars,
we climb through the night, sandaled feet dirt-smudged,
too young to care about the cobwebs tangled in the eaves, or
the way the rotting wood beneath us creaks in warning. Lying
on the jagged rain-softened roof, two bodies drenched in the dewy murmur
of December sea breeze, we share a mango, making sure no one claims
the bigger half. Taking turns sucking the sweet flesh
to the pit. The small hard future sealed inside it. We talk about everything
and nothing, laughing about how much we wanted to escape the city, only
to land above waves exhaling diesel, opal cheeks studded with plastic wounds.
The mango’s yellow ribcage cracks open, and we reach in to lift out
its sun-ripe heart. Everywhere we go, we pocket the fruit seeds, tucking them
into forgiving patches of dirt. Somewhere below a karaoke machine howls
another drunken love song into the sea’s throat, while we climb down the ladder
of rusted gutters and bury the fistful of tomorrow in a stranger’s backyard,
where stray dogs won’t paw it out. Peach tree in Fiji. Strawberry bush
in Petra. Lemon tree in Mongolia. And soon someday, we will have a colony
of mango trees too. Raising their cathedral of fledgling leaves above some future roof
where other children climb, with salt in their hair and seeds in their pockets.
About
Yuhan Wu is a writer from Shanghai and New York. Her work is published or forthcoming in Apricity Magazine, The Spotlong Review, Eunoia Review, among others. She is working on a chapbook manuscript titled Plum Rain Season.