Marmalade Lit
Notes for Conscious Uncoupling
Prarthana Vijayakumar — Tamilnadu, India
turning to the dead, with offerings of opium thyme patience
maybe they are wiser, but obscure your face with three
of your hands when seeking advice about picking locks.
ask them if a deer looks beyond the headlights
i cup a clear sea and hold it to my ears
the molluscs are mourning marching moulding
grief shapes the tides, or do waves
steal their name from the wrinkles beneath your eyes
a universal flood washes away the first layer of familiarity
sentimentality is bleak, it is cloudy until it isn’t, it is clandestine when it’s not
im sorry for drawing a new skull onto myself, i promise i still
pocket candles and read obituaries of strangers, i am the same as i was
eight hundred fifty six years ago, see me, you see me
i am the same, (i am not), what feels like inevitable betrayal
is merely us tripping on the way out of this city, this
city of stars, i won’t say scars because it sounds too decadent
there are some parts of me that refuse to wither, the knots in my belly,
the fissures in my tongue, trust me, i have tried to make myself palatable
but i refuse to dry out a river of faithful bones, i teach it to write letters
water dies too many times before finally understanding the concept of eviction
luckily for you, i’m kinder at dawn,
i loosen my fingers while braiding your hair
you notice the plaits getting more unruly every passing morning,
but you never question, i don’t want to answer
this is my gentlest goodbye to you
like water i slither away
About
Prarthana Vijayakumar is a writer in every and no sense of the word. You can find her published work in about 50 places and scrabbled in countless sticky notes with who knows who.